Start this with your right hand, to make it easy. Piano finger exercises for beginners, like this one, is conditioning your brain to play different notes, not in ascending or descending order. However, all five fingers will be on the note. In this exercise, you’re only playing C, E, and G (the C major triad). This is also known as ‘play in thirds.’ You’re skipping a note with each finger. This exercise helps improve your coordination and becoming accustomed to playing with two hands at the same time. When you play the piano, you play with two hands. Go up and down the scale (also known as ‘ascending’ and ‘descending) until you get the hang of it. Touch C4 with your right thumb and touch C2 with your left pinky at the same time.ĭo the same with the next note - touch D4 with your index finger and D2 with your ring finger. Piano exercises for beginners, such as this one, strengthen your left and right hand simultaneously. But your thumb won’t be on C2 - your pinky will. You play D with your index finger, play E with your middle finger, etc.Īfter you’re done with your right hand, practice with your left start with C of the 2nd octave and move up that scale. But, do so with the finger that’s on the note. Starting with C (or your thumb) touch each note. Middle finger on E, ring finger on F, and pinky on G. Place the rest of your fingers on your right hand along the corresponding keys. Take your index finger, place it right next to C on D. Place it on Middle C (or C in 4th octave). You’re becoming accustomed to using your fingertips to play the keys with strength, not your whole arms. So this exercise is like strength training your fingers. They’re not using their arms or their shoulders - the power is coming from their fingertips.īut fun fact: A lot of people don’t have strong muscles in their fingertips. Pianists control tempo, sound dynamics, etc. There’s a reason why this lesson is taught during piano finger exercises for beginners. P71?Copyright O l97lby Puget Music Publications, Inc.This exercise actually teaches you two important lessons: Knowing the sound of each key (which is also very important) and exercising your finger muscles. VAL arc selected ftom Czerny's " ftto Eight-bar Exdcises", op. Numbers of the original exerctues are in parentheses. 2 is extended into a complete jazz piece retaining the technical vafue ofthe original. 2 illustrate what has been changed to make the originals more enjoyable*. The technical benefits of Czerny have been retained and in some cases expanded.
These shrdies include severaLiazz styles: stride piano (5), blues (18a), rock (14), traditional progressive (2), and interval-structured (24). Jazz Czetn.y develops them in one of the musical idioms of the twentieth cenhrry.
Box 471 Kenmore, Washington 98028 International Copyright AU Rights ReservedĬarl Czerny explored a variety of piano tchniques. Edited by Lockrem lohnson Cover design by Don ScottĮngraving by Music Typogt"phers, Oyster B"y., N.Y.Īssistance in manuscript preparation by Dante DiThomasĬopyrrght O l97lby Puget Music Publications, Inc.
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